A boy that has been raised by wolves is displayed as a circus freak. Then he grows up, becomes a zookeeper and falls in love with a prostitute. His jealousy brings out his wolf side, changing him into a wolfman so that he can kill her clients.

The screenplay for the film was written by Anthony Hinds under his pseudonym John Elder. Hinds was also the author of Hammer’s 1960 film The Curse of the Werewolf, which was also based on the same novel, Guy Endore’s The Werewolf of Paris.

The millionaire Tom Newcliffe (Calvin Lockhart) invites a group of people to spend some time in his mansion, along with his wife Caroline (Marlene Clark) where he reveals that one of them is a werewolf, and therefore must be killed. The group is composed of:

• Arthur Bennington (Charles Gray) – a diplomat.
• Jan and Davina Gilmore (Michael Gambon and Ciaran Madden) – a pianist and his ex-student, now lover.
• Paul Foote (Tom Chadbon) – an artist recently released from prison.
• Prof. Lundgren (Peter Cushing) an archaeologist and a lycantropy enthusiast.

They all stay in the mansion where they are submitted to various tests to force them to transform into a werewolf. The entire house is under surveillance by Tom and Pavel (Anton Diffring), who doesn’t believe in werewolves. The only way to determine the identity of the werewolf is submitting the one to the full moon while the wolfsbane is mixed in the air. Tom makes them grab silver objects to provoke allergic reactions, but this proves unsuccessful. One night, Pavel is killed by the werewolf, which makes Tom more and more obsessive in finding the werewolf, driving his wife crazy. Tom focuses his suspicions under Paul Foote, who reportedly was arrested because he has eaten human flesh. Foote denies he is the werewolf. During one night, the werewolf kills the helicopter’s pilot, Caroline’s dog and Arthur Bennington in his bed.

Tom submits the remaining group to one final test: put a silver bullet in the mouth. Caroline puts the silver in her mouth and starts to transform into the werewolf. She (fully transformed) attacks Tom and he kills her, making him very distraught because Caroline was alongside him when the werewolf killed her dog. Prof. Lundgren deduces that she contracted the werewolf disease while taking care of her dog’s wounds. Tom gets angry and promptly thinks Foote is the werewolf, but Foote is also found dead. To avenge his wife, he enters the woods surrounding the mansion to hunt the werewolf. He finds the beast and kills it. The werewolf is revealed to be Jan, the pianist.

Tom returns to Prof. Lundgren and Davina, and he realizes he was bitten by the werewolf, thus making him the next victim. Not wanting to be another creature, Tom locks himself in the mansion and shoots his head with a silver bullet.

The viewer is invited to unfold the mystery along with the characters. Near the ending, there’s a 30 second break called “The Werewolf Break”, where the audience is asked to guess who’s the werewolf, based around the events of the movie.

Robert Bridgestone (Kerwin Mathews), a divorced father, takes his son, Richie, up to the family mountain cabin. As the movie opens we see the car winding through the hills, and zoom in on a very unpleasant looking werewolf running around the woods along the side of the road, and finally snarling at the camera through some branches. The two arrive at the cabin and unpack, then dad suggests they eat in town after taking a late night walk through the woods. Needless to say, the werewolf has been watching them, waiting for his moment to strike, and as the father and son stroll around the dark woods, sure enough, the werewolf jumps out and attacks Richie. Dad rushes to the rescue, and a violent fight follows, ending in the werewolf tripping and falling over a cliff…but not before biting Robert. Richie looks down to see the monster, impaled on a wooden fence at the bottom of a ravine, only now it has changed back to human form.

The Sheriff concludes that a crazy drifter attacked the two, and is satisfied to leave it at that, despite the disturbing fact that absolutely no identification can be made on the man. Richie insists it was a werewolf that attacked them, and his father and the Sheriff are amused at his childish imagination. Robert takes Richie home to his mother, Sandy (Elaine Devry), who is immediately treated to an excited Richie’s recounting of his dad’s brave fight with a werewolf, as well as her former husband’s clear interest in reuniting. She appears to have no such interest herself, but is adamant that Robert have a talk with Richie’s psychiatrist. He agrees, reluctantly, and makes an appointment. The psychiatrist (George Gaynes, famous character actor) tells Robert that Richie’s werewolf fixation stems from his inability to accept that his father killed a man, and instead has concocted a fantasy wherein his father bravely battles a monster. He suggests that Robert take his son back up to the mountain cabin, predicting that when Richie is returned to the scene of the crime and sees that everything is normal, his interest in werewolves will cease.

Travelling up to the cabin during another cycle of the full moon, they pass a hippie Jesus commune, and Richie asks if they can stop and visit. His father reminds Richie that they are going to do some fishing and have a grill-out afterwards, and tells him they will stop and watch the hippies the next time. Upon arriving at the cabin, they begin to unpack, and Robert suddenly is hit with a wave of pain. He tells Richie to take the fishing poles down to the stream, and that he will join him in a minute. Stumbling into the storage shed below the cabin, Robert looks into an old mirror and watches, horrified, as he turns into a carbon copy of the creature that he had killed the previous month. Later, at the stream, Richie hears something coming through the brush, and looks up to see, not his father, but the hideous werewolf, apparently resurrected from the dead. He runs, screaming through the dark woods, the werewolf in hot pursuit. Richie crosses a mountain road, and the werewolf gets halfway across, when a car’s headlights illuminate the wolfman, who screams and gestures wildly. The car goes over an embankment. Suddenly a TV repair truck, travelling down the other lane, picks out the creature in its headlights, and the driver swerves and hits the hillside on the opposite side of the road. The werewolf runs to the crash, and the driver, still alive, is viciously attacked and dismembered by the vicious monster. Richie witnesses all of this and then continues his flight through the dark night, finally finding a camper belonging to two newlyweds. He tells them his story, and although they aren’t ready to believe in werewolves, see the boy is distressed, and the man agrees to take Richie home. Upon arriving back at the cabin, they discover that Richie’s father is not there, and Richie begs the man to let him return with him to the camper for the night. The next morning Robert, appearing dazed and confused, shows up at the camper, and tells the couple he has been searching for Richie all night. Richie tells his dad about the werewolf, but Robert is clearly losing patience with his son’s fantasies. The next night, another full moon, and this time the werewolf, stealthily opening the cabin door and creeping silently through the house, is disappointed to discover that Richie has anticipated his moves, and hidden himself. The werewolf leaves the cabin, where he seeks out the newlywed couple, pushes their camper down a steep hill, and drags the bodies out to mutilate them, beheading one of them, and saving the head as a sort of trophy, which he carries back to the cabin in a burlap bag. He returns to the cabin just before daybreak, sneaking into the shed beneath, and digging a hole which he plans to bury his victim’s head in. Richie, hearing the werewolf return, sneaks down into the shed to see what is going on, and witnesses the werewolf’s transformation back into his father. The Sheriff visits seconds after the transformation is complete, to report on the killings of the previous night, apparently convinced that there must be a connection between the horrible attack on the TV repairman, and the newlyweds. On the drive home, Richie questions his father about his actions on the previous evening, but Robert dismisses everything, clearly irritable and bothered about his memory blackout. Richie jumps hurriedly out of the car upon arriving at his mother’s house, telling her that he is scared to be alone with his father, because his father is a monster.

Sandy asks Robert to have dinner with her at a Japanese steakhouse. During dinner she tells Robert what Richie has said, and it is agreed that another visit with Richie’s psychiatrist is in order. The psychiatrist tells Robert that he believes that Richie is genuine in his belief that Robert is a werewolf, and that these type of fantasies can be quite powerful for children. It is suggested that this time a family weekend should be planned which includes Richie’s mother. Robert is now pacing back and forth in the psychiatrist’s office, and we see that the meeting was apparently one which lasted into the evening. Another month has passed since Robert and Richie’s last trip to the cabin. The full moon is rising…

The next day, a reluctant Richie and his mom prepare to leave for the cabin with Robert, unaware that the front page of the morning paper reveals a grisly headline…Local Psychiatrist Murdered. The three set out for the cabin, stopping at the hippie encampment on the way, as Robert had promised Richie they would do so on their last trip. The hippies, lead by a wild-eyed Alan Ginsberg type in a cassock (played by Bob Homel) are forming a circle of power to drive away evil spirits. When the family stop to watch, the hippies shout at them to join them in the circle, and while Sandy finds it merely amusing and agrees, when Robert tries to pass over the boundary of the circle, he is stopped short and cannot move further, as if an invisible barrier were in front of him. Sandy, disturbed, grabs him and they get back in the car and continue on to the cabin. At the cabin, they settle down for the evening, and all is well for a while. Sandy starts to talk with Robert in a gentle voice, confessing that she really has missed him, and that perhaps they should get back together. The full moon rises, and Robert turns his back on her, silently walking away. In the shed he finds Richie, digging up the bag he had seen his father (in werewolf form) burying on their last visit. Robert grabs Richie, clearly in the first stages of transformation, and begs Richie to lock him in the shed. Richie does this, but just as he finishes, his mother sees him, and hears the noises in the shed. She asks who is in there, and Richie tells her it’s his dad, whereupon she scolds Richie and tries to open the shed. Richie screams at her just as a clawed hand bursts a hole in the shed door. Richie and his mom run to the car, escaping just as the werewolf emerges, screaming and snarling, from the shed.

In town they tell the Sheriff of the attack, and upon returning to the cabin find the creature gone. The Sheriff leaves some men to stand guard for the night. Later that evening, as Sandy sleeps in a chair by the fire, the werewolf slips silently through a window of the cabin. It sniffs at her evilly, and Sandy awakes to find the thing staring her directly in the face. The werewolf grabs her and begins to carry her off, but the deputies hear the screams and burst into the room. They shoot at the monster as it jumps back out the window. Richie begs for them not to hurt his dad, but of course everyone still cannot accept that it is a werewolf, let alone Richie’s father. Toward morning the werewolf attacks the hippie camp, enraged at his latest failure, and as the sun rises, the werewolf grows weak and falls to the ground, the hippies praying for the creature’s soul, and the transformation is witnessed by the entire commune, although they do not understand what they have seen. Later the day, toward evening, the Sheriff organizes a search party to find the murdering creature, and as everyone leaves to hunt the woods, Richie breaks away from his mom and heads off to try and save his dad. As the moon rises, Richie finds his father, once again transformed, who grabs him and carries him off, with a mob close behind him, and Richie’s mom screaming. Cornered, the werewolf attacks Richie, biting him on the arm, before a hail of gunfire distracts him. The bullets cannot kill him, but as he frantically tries to seek a way out of the crowd, he stumbles and falls backwards onto the broken stake that had held the hippies’ makeshift cross into the ground. It pierces his heart, and as a horrified Richie and Sandy watch, the werewolf transforms back into Robert. The last thing we see is Sandy examining her son’s bite mark, a look of dawning horror on her face…

This political satire of Nixon’s administration is about a reporter who is bitten by a werewolf in Hungary and then becomes press assistant to the president.

In a moonlit Louisiana Bayou, a small town sheriff hunts a killer who can tear steel bars out of walls and prowls only in the light of the full moon.

The film begins on a moonlit night in the Bayou town called Marsh Island. The full moon is shining, clouds are moving across the sky, wild dogs are howling like wolves and two uneducated farmers have just found the mauled dead body of an attractive young girl. The girl’s name was Ellie Burrifors.

Sheriff Aaron Whitaker(David Janssen) is called in. While he is looking over the body, the farmers jump to the conclusion that the girl was killed by wild dogs. The girl’s temperamental brother Lawerence Burrifors(Geoffrey Lewis) comes racing out to the crime scene and jumps to the conclusion that it was the girl’s lover. A man whose very name her brother does not know.

Dr. Drutan(John Beradino),the clearly very upset town coroner brings the body back to his office. After he gets through with his examination, Dr. Drutan pronounces that the girl, whose name was Ellie, died of a severe blow to the head struck by a very human left hand. Only a human being could have done that. He than tells Sheriff Whitaker “It looks like you have a murder on your hands, Sheriff.” Whitaker replies “Just what I needed”. The sheriff neither looks, nor sounds, at all pleased. He would be even less pleased if he knew that the killer would be back on the next full moon.

The next few scenes are standard police procedure with Sheriff Whitakar going over the crime scene to find clues. He interviews people who knew Ellie in order to learn background information about her and learn who had reason to do her harm.

The sheriff finds the locals very eager to cooperate and tell all that they know. Each of the locals that he talks to seems to have his or her own theories. One group believes the killer to be wild dogs. They soon began to organize a hunt. Both Lawrence Burrifors and the Burrifors’ live-in nurse believes the killer to be Ellie’s lover who caused her pregnancy. The Sheriff wonders if it could be the girl’s brother who had an argument with her before she died. He also wonders if it might be the girl’s rejected hick lover, Tom Gurmandy Jr. (John Davis Chandler). Gurmandy admits he had a thing for the girl but he never gave her a tumble. The girl’s very sick and dying father Hugh Burrifors (Paul R.Devine) keeps screaming about something called the “loug garog.” The sheriff does not know what to make of the words “loug garog.” The older Burrifors was very sick even before his daughter’s death. The old man speaks only French but seems to have some background with the Occult. Sheriff Whitaker asks the old man’s son what is a “loug garog” and he is told that it is French but no French that Lawrence has ever heard. The sheriff dismisses the wild dogs theory, but that leaves him with three suspects: Ellie’s mystery lover, who the sheriff soon learns is Dr Drutan; Lawrence, the girl’s brother; and Tom Gurmandy Jr, her rejected lover. The sheriff has strong personal reasons for hoping all three will prove themselves innocent.

The sheriff’s investigation soon takes him to the home of someone else that the girl knew. The town royalty, Andrew Rodanthe (Bradford Dillman) and his sister Louise Rodanthe (Barbara Rush).They are the last of a family dynasty that goes back over a century. A wealthy family that really founded the town in their great-grandfather’s time. Their grandfather seems to have been a person of considerable repute. The family has lived for that century or more in the same plantation-style manor house. They have lived there even though, as Louise notes, it’s impossible to heat in the winter and way too hot in the summer. She also thinks there maybe cracks in the roof.

The Rodanthe family history is repeatedly talked about during the film. References are repeatedly made to their grandfather and all his many hired help. The feeling is that there were a lot more people in the house in his day. Andrew Rodanthe however does try to keep up the family tradition of being royalty. He even had his sister brought home when she had an affair with an improper man. Andrew claims to have been suffering an attack of an incurable form of malaria, the night the girl was killed, a malaria Ellie regularly bought him pills for. Those pills were the only thing that controlled the illness. The night that Ellie died Andrew forgot to take them…

The scenes which come after Andrew Rodanthe’s revelations about his “Malaria,” are about whether or not the killer was the wild dogs or the Ellie’s lover. A fight over that question gets Lawrence thrown in jail. When he is there, the full moon rises and the real killer attacks again. Lawrence and the sheriff’s deputy are killed in the attack and the steel bars of the jail cell are torn off the wall.

This discredits the sheriff’s suspects and leaves him without deputies. Andrew Rodanthe volunteers to become a deputy. Sheriff Whitaker leads them back to Hugh Burrifor’s house. There the old man has had his nurse set up a Voodoo potion. The potion gives off vapor meant to repel what he calls the “loug garog.” When Rodanthe inhales these vapors he than goes into what appears to be an epileptic seizure. He has to be taken to the hospital.

While he is there, Louise hears Sheriff Whitaker tell about her about how those fumes were meant to keep away the “loug garog.” He says that it is a French word no one understands. Louise says that she knows French and that she will talk to the old man. Whitaker takes her to the house and she listens to the old man. Louise figures out the truth. “Loug garog” is a mispronunciation of the term “Loup-Garou.” Translated into English the term means Werewolf. The next scene shows that Andrew Rodanthe is the werewolf and has been the killer all along.

The next several scenes show the werewolf escaping from the hospital, Louise learning the truth and Andrew becoming the subject of a man-hunt. Louise talking to Sheriff Whitaker points out some werewolf folklore. The Sheriff replies “Louise, its 1972.” Louise further points out that her Grandaddy use to suffer from what everyone in the house would refer to as his spells. These “spells” happened when Louise was a little girl. She decided later that he had been drinking. This is one of several hints the film provides that Andrew and Louise’s granddady were both werewolves. That implies that being a werewolf is an inherited trait but stops well short of saying it. This is the only explanation that the audience is given for Andrew’s werewolf state.

Louise bones up on her werewolf lore and is ultimately left alone in the house. It is than that the werewolf comes home. Louise first tries to catch him in a burning barn and when that does not work, she shoots him with blessed bullets. The werewolf is killed and the nightmare is over.

Waldemar Daninsky travels to Tibet and is bitten by a yeti, which causes him to become a werewolf. He is accidentally killed after he attacks his cheating wife and her lover, and is then revived by a female scientist, Dr. Ilona Ermann, who uses him in mind control experiments.

The film has been issued in many different versions, and is also known as Werewolf Shadow, Blood Moon, and The Werewolf Vs. Vampire Woman.

Two students, Elvira and her friend Genevieve, go searching for the tomb of medieval murderess (and possible vampire) Countess Wandessa. They find a possible site in the castle of Count Waldemar Daninsky, who invites them to stay for as long as they like. When he shows them the tomb of the countess, Elvira accidentally revives her.

Satan saves Joseph Langdon/Philip Rogers (John Ashley) from death on condition he become his disciple. As it turns out, he becomes a hairy murderous beast– a werewolf on the rampage carrying out the evil deeds of the devil.